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s this possible to reconcile individual happiness and social justice? It is the paradoxical search several foreigners installed in Brazil. Charlotte Rampling incarnates a British esthetic surgeon given to dissuade whoever would like to pass under the lancet. Irène Jacob is an anthropologist Frenchwoman whose of libido concerns override its political conscience. Bill Pullman camps a disturbed American ambassador who flees his most dangerous responsibilities while hiding in one for the favelas for Rio. There, it becomes accessory to the schemes of Fisher Stevens, a tourist guide, doubled of a romantic swindler. All these stories meet in a whimsical comedy nevertheless anchored in the reality of Rio de Janeiro, known rightly like “the town of wonders.”

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