T

he film features a change of pace for comic actor Petchtai, who offers a sombre, dramatic portrayal of a taxicab driver who develops a relationship with a young woman (Woranut, in her debut feature film role) who is working in a massage parlor. The film has dream sequences that place the characters in scenes that might have come from a classic Thai melodrama film of the 1960s or 70s, with a dubbed soundtrack, which was a common method of filmmaking in the era.

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